He began the tradition of assigning full, three-minute songs to comedians. Nayyar also worked with developing lyricists such as Jan Nisar Akhtar, Qamar Jalalabadi, S. Majrooh Sultanpuri and Sahir Ludhianvi wrote the lyrics for some of Nayyar's earlier songs, including "Naya Daur". Nayyar and Bhosle parted ways in 1974, and he then worked with Dilraj Kaur, Krishna Kalle, Vani Jayaram and Kavita Krishanmurthy. Nayyar co-produced songs with Shamshad Begum (including "Kajra Mohabbatwala"), and after Madhubala's 1969 death Vyjayanthimala, Sadhana, Mala Sinha, Padmini, Asha Parekh and Sharmila Tagore lip-synced several Nayyar-Bhosle songs. Based on a Bengali language work by Rabindranath Tagore, Nayyar composed "Chal Akelaa, Chal Akelaa" (sung by Mukesh in 1969 film Sambandh). Kapoor performed Nayyar's song "Badal Jaaye Agar Maali, Chaman Hotaa Nahi Khaali" in Bahaaren Phir Bhi Aayengi. After a disagreement with Mohammed Rafi, Nayyar began working with singer Mahendra Kapoor.
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Īccording to music and film expert Rajesh Subramanian, "Aap Ke Haseen Rukh" (from Baharen Phir Bhi Aayengi) was planned with full orchestration but many of the musicians were late for the recording. During the decade, state-controlled All India Radio banned most of Nayyar's songs because the broadcaster considered them too "trendy". Nayyar's scores were featured in the Hussain films Tumsa Nahin Dekha (1957) and Phir Wohi Dil Laya Hoon (1964). In 1957 Filmalaya introduced Nasir Hussain, who wanted a composer to provide romantic scores for newcomers Shammi Kapoor and Ameeta. Nayyar never worked with Lata Mangeshkar, though her song Saari Saari Raat Teri Yaad Satayein from the 1958 film Aji Bas Shukriyawas used in the 1973 Hindi film Taxi Driver, for which he was the music director. Nayyar's early work was primarily performed by Shamshad Begum, Geeta Dutt and Mohammed Rafi, with Asha Bhosle introduced in C.I.D. Film producer, director and actor Guru Dutt enlisted him to compose and conduct music for Aar Paar (1954), Mr. Nayyar then composed music for Chham Chhama Chham (1952) and Baaz (1953). Pancholi), was his first film as music director. He composed the background score for Kaneez (1949), and 1952's Aasmaan (produced by Dalsukh M. Nayyar was born in Lahore, British India (present Pakistan).
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